TOUS LES ARTICLES

  • Série noir / blanc-PF1

    Il y a 14 ans

    / Travaux graphiques

    • 1 - NB-25
      NB-25
    • 2 - NB-21
      NB-21
    Thème : Peinture
  • Germain Caminade

    Germain Caminade

    Artiste, peintre, graphiste

    www.germaincaminade.com

    Situation stabilisée

    Il y a 15 ans

    / Numérique

    • 1 - Vitalité étouffée
      Vitalité étouffée
    • 2 - Victime de la vie
      Victime de la vie
    • 3 - Abris critique
      Abris critique
    • + 18 media(s)

    Assemblage numérique de dessins, photos, typos / interruption du mouvement de circonstances / tirage numérique , formats multiples

  • Germain Caminade

    Germain Caminade

    Artiste, peintre, graphiste

    www.germaincaminade.com

    Paris-Berlin

    Il y a 14 ans

    / In situ

    • 1 - Paris-Berlin IX
      Paris-Berlin IX
    • 2 - Paris-Berlin VIII
      Paris-Berlin VIII
    • 3 - Paris-Berlin VII
      Paris-Berlin VII
    • + 2 media(s)

    Peinture aérosol murale / chez Mathilde et Mathieu sur le thème de Paris-Berlin, croisement des couleurs de drapeaux matérialisé en anamorphose

  • Germain Caminade

    Germain Caminade

    Artiste, peintre, graphiste

    www.germaincaminade.com

    Galactic fun

    Il y a 14 ans

    / In situ

    Galactic fun

    Peinture murale en aérosol pour le Cercle Pan. Modules de formes géométriques simples, de couleur mariant l'architecture du lieu, dans ce cas avec un escalier

  • Germain Caminade

    Germain Caminade

    Artiste, peintre, graphiste

    www.germaincaminade.com

    éléments de virée

    Il y a 14 ans

    / Numérique

    • 1 - situation provisoire
      situation provisoire
    • 2 - super punk
      super punk
    • 3 - super robe
      super robe
    • + 20 media(s)

    Assemblage numérique de dessins, photos, typos / situations de personnages en vadrouille nocturne / tirage numérique, formats multiples

  • Germain Caminade

    Germain Caminade

    Artiste, peintre, graphiste

    www.germaincaminade.com

    Énergies

    Il y a 15 ans

    / Peinture

    • 1 - Énergie 4283
      Énergie 4283
    • 2 - Énergie 4263
      Énergie 4263
    • 3 - Énergie 4053
      Énergie 4053
    • + 16 media(s)

    Peinture aérosol sur papier ou sur toile / forces vitales d'effets dynamiques

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Etchings

    Il y a 14 ans

    • 1 - BOND. 1978. ROUTINE N° 2.
      BOND. 1978. ROUTINE N° 2.
    • 2 - BOND. 1978. ROUTINE N° 1.
      BOND. 1978. ROUTINE N° 1.
    • 3 - BOND. 1978. ROUTINE N° 3.
      BOND. 1978. ROUTINE N° 3.
    • + 58 media(s)

    The following body of work was created between 1978 and 1987 at Bill W. Hayter's Atelier 17 in Paris. Peter BOND comments on this work: " There is no Edition of Etchings, but Edition of Plates on which I work, with the use of a scraper, to the extreme wear. Each print is unique and contains an accomplished image. Each image is inscribed, step by step, by variations on the zinc plate. It is in the disappearance that the image finds its presence."

    Etchings (gravures) printed on 250gr Arches paper. Unframed.

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Watercolors

    Il y a 14 ans

    • 1 - BOND. 2008. Lost on a lovely beach
      BOND. 2008. Lost on a lovely beach
    • 2 - BOND. 2008. Lost I
      BOND. 2008. Lost I
    • 3 - BOND. 2008. Lost II
      BOND. 2008. Lost II
    • + 33 media(s)

    After etching and painting, in 2008 Peter BOND begins to explore the media of Aquarelle. The result is a stunningly beautiful, coherent suite of 36 works titled "LOST". When asked to comment on the series, the artist answered: "I don't really feel like saying anything about being Lost." 

    The series consists of 6 sets, each preceeded by a Painting (the Guide), followed by 5 Watercolors, variations of the theme introduced by the painting. The artist creates his Aquarelles just like his paintings: on the wall using tape to fix them. At the end, the aquarelle is cut off the wall, leaving a stretch of tape around the image. These stretches of tape become an integral part of the work.
    The watercolors are signed, dated, titled and numbered at the lower right. Produced on Winsor & Newton Cotman 300gr paper they measure 38 x 56 cm each.
    The Paintings, executed in oil and acrylic on canvas, measure 65 x 65 cm.

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Peter Ross BOND

    Il y a 15 ans

    Peter Ross BOND
    Born in Australia, Peter BOND moved to Europe soon after Art School. He lived in Berlin in the early 70s and later moved to London where he completed his Bachelor of Arts. In Paris Peter BOND worked for 10 years at the famous Atelier 17 of S.W. Hayter where he learned and excelled in etching. An opportunity to teach etching at Penrith University in Sydney brought the artist and his family to Australia for a year (1987), before settling back in a large studio in Paris.

    It is at that time that Peter BOND turned to painting large landscapes, or rather "-scapes", as he wonders from land to sea over hills to mountains.

    Often starting out with a familiar object or figure on the bare canvas, Peter BOND then covers it with layers of paint, which he often scrapes back letting reappear what was painted at the start. No waste: the scraped-off matter finds its way back somewhere onto the canvas, giving the work a very tangible materiality. These pieces stand out like rocks on the edge of a cliff, something to hang onto at the verge of the abyss.

    For Peter BOND's works are pictures of the mind. No Escape !

    Text by Sonja R. BAUMANN
    Suite
  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Sea-scapes (large)

    Il y a 15 ans

    • 1 - P.R.BOND. 1997. UNTITLED SEVEN.
      P.R.BOND. 1997. UNTITLED SEVEN.
    • 2 - P.R. BOND. 1997. UNTITLED EIGHT.
      P.R. BOND. 1997. UNTITLED EIGHT.
    • 3 - P.R. BOND. 1997. UNTITLED TWO.
      P.R. BOND. 1997. UNTITLED TWO.
    • + 2 media(s)

    This is a series of 8 large oil paintings of which 5 are shown here. Some of them are horizontal triptychs. Inspired by the roughness of the Normandy coast, these works are extremely powerful, in a material as well as a mental sense.