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Peter Bond

Peter Bond

Artiste peintre

peter-bond.net

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Etchings

    Il y a 14 ans

    • 1 - BOND. 1978. ROUTINE N° 2.
      BOND. 1978. ROUTINE N° 2.
    • 2 - BOND. 1978. ROUTINE N° 1.
      BOND. 1978. ROUTINE N° 1.
    • 3 - BOND. 1978. ROUTINE N° 3.
      BOND. 1978. ROUTINE N° 3.
    • + 58 media(s)

    The following body of work was created between 1978 and 1987 at Bill W. Hayter's Atelier 17 in Paris. Peter BOND comments on this work: " There is no Edition of Etchings, but Edition of Plates on which I work, with the use of a scraper, to the extreme wear. Each print is unique and contains an accomplished image. Each image is inscribed, step by step, by variations on the zinc plate. It is in the disappearance that the image finds its presence."

    Etchings (gravures) printed on 250gr Arches paper. Unframed.

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Watercolors

    Il y a 14 ans

    • 1 - BOND. 2008. Lost on a lovely beach
      BOND. 2008. Lost on a lovely beach
    • 2 - BOND. 2008. Lost I
      BOND. 2008. Lost I
    • 3 - BOND. 2008. Lost II
      BOND. 2008. Lost II
    • + 33 media(s)

    After etching and painting, in 2008 Peter BOND begins to explore the media of Aquarelle. The result is a stunningly beautiful, coherent suite of 36 works titled "LOST". When asked to comment on the series, the artist answered: "I don't really feel like saying anything about being Lost." 

    The series consists of 6 sets, each preceeded by a Painting (the Guide), followed by 5 Watercolors, variations of the theme introduced by the painting. The artist creates his Aquarelles just like his paintings: on the wall using tape to fix them. At the end, the aquarelle is cut off the wall, leaving a stretch of tape around the image. These stretches of tape become an integral part of the work.
    The watercolors are signed, dated, titled and numbered at the lower right. Produced on Winsor & Newton Cotman 300gr paper they measure 38 x 56 cm each.
    The Paintings, executed in oil and acrylic on canvas, measure 65 x 65 cm.

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Peter Ross BOND

    Il y a 15 ans

    Peter Ross BOND
    Born in Australia, Peter BOND moved to Europe soon after Art School. He lived in Berlin in the early 70s and later moved to London where he completed his Bachelor of Arts. In Paris Peter BOND worked for 10 years at the famous Atelier 17 of S.W. Hayter where he learned and excelled in etching. An opportunity to teach etching at Penrith University in Sydney brought the artist and his family to Australia for a year (1987), before settling back in a large studio in Paris.

    It is at that time that Peter BOND turned to painting large landscapes, or rather "-scapes", as he wonders from land to sea over hills to mountains.

    Often starting out with a familiar object or figure on the bare canvas, Peter BOND then covers it with layers of paint, which he often scrapes back letting reappear what was painted at the start. No waste: the scraped-off matter finds its way back somewhere onto the canvas, giving the work a very tangible materiality. These pieces stand out like rocks on the edge of a cliff, something to hang onto at the verge of the abyss.

    For Peter BOND's works are pictures of the mind. No Escape !

    Text by Sonja R. BAUMANN
    Suite
  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Sea-scapes (large)

    Il y a 15 ans

    • 1 - P.R.BOND. 1997. UNTITLED SEVEN.
      P.R.BOND. 1997. UNTITLED SEVEN.
    • 2 - P.R. BOND. 1997. UNTITLED EIGHT.
      P.R. BOND. 1997. UNTITLED EIGHT.
    • 3 - P.R. BOND. 1997. UNTITLED TWO.
      P.R. BOND. 1997. UNTITLED TWO.
    • + 2 media(s)

    This is a series of 8 large oil paintings of which 5 are shown here. Some of them are horizontal triptychs. Inspired by the roughness of the Normandy coast, these works are extremely powerful, in a material as well as a mental sense.

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Tape-scapes

    Il y a 15 ans

    • 1 - BOND. 2003. BEZ TYTULU II.
      BOND. 2003. BEZ TYTULU II.
    • 2 - BOND. 2005. FINISHED BEFORE. HOW GOOD TO BE BACK.
      BOND. 2005. FINISHED BEFORE. HOW GOOD TO BE BACK.
    • 3 - BOND. 2001.
      BOND. 2001.
    • + 2 media(s)

    The use of perishable matter in Peter Ross BOND’s paintings confirms his belief that nothing lasts forever. His choice to recycle tape and other material originating from activities in the atelier corresponds to childhood experience watching his parents making party hats from crêpe-paper, tinsel and glitter.

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Black-out (large)

    Il y a 15 ans

    • 1 - BOND. 2007. BLACK-BACK.
      BOND. 2007. BLACK-BACK.
    • 2 - BOND. 2006. BLACK WINDOW.
      BOND. 2006. BLACK WINDOW.
    • 3 - BOND. 2006. BLACK BEAUTY.
      BOND. 2006. BLACK BEAUTY.
    • + 1 media(s)

    The theme of “black-out” is the artist’s answer to the question: “What happens when the lights go out? “

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Objets d'Art

    Il y a 15 ans

    • 1 - BOND. 2005.
      BOND. 2005.
    • 2 - BOND. 2005.
      BOND. 2005.
    • 3 - BOND. 2005.
      BOND. 2005.
    • + 1 media(s)

    This is a series of 8 smaller works, 4 measuring 20 x 30 cm, the others 10 x 30 cm. They are presented here as diptychs, but can be acquired individually, or mixed and matched as desired, depending on availability. The large frame (3cm deep) designed and realized by the artist, allows each piece or diptych to stand freely as an object.

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Night-scapes

    Il y a 15 ans

    • 1 - BLACK IS BACK BABY. BOND. 2006.
      BLACK IS BACK BABY. BOND. 2006.
    • 2 - BOND. 2006. BLACK IS BACK. (b)
      BOND. 2006. BLACK IS BACK. (b)
    • 3 - BOND. 2006. BLACK BACK BLACK SEA.
      BOND. 2006. BLACK BACK BLACK SEA.
    • + 12 media(s)

    Peter BOND created a set of small format works during 2006 with the particularity of having a black painted wooden frame stuck to the back of the work. The idea is to project the painting off the wall.
    In the series  “Night-Fall” realized in 1998 the artist uses black pigment directly sprinkled onto the painted canvas to create the night feeling.

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Mountain-scapes

    Il y a 15 ans

    • 1 - BOND 2008. Skiing is dangerous
      BOND 2008. Skiing is dangerous
    • 2 - BOND 2004.
      BOND 2004.
    • 3 - BOND. 2007. NIGHT-LIFE.
      BOND. 2007. NIGHT-LIFE.
    • + 8 media(s)

    Mountains are dangerous. Painting is dangerous. That’s why I like painting mountains.

  • Peter Bond

    Peter Bond

    Artiste peintre

    peter-bond.net

    Land-scapes

    Il y a 15 ans

    • 1 - BOND. 2001. 2004
      BOND. 2001. 2004
    • 2 - BOND. 2002. DARLING. UNTITLED. (left side of diptyque)
      BOND. 2002. DARLING. UNTITLED. (left side of diptyque)
    • 3 - BOND. 2002. DARLING. UNTITLED. (Right side of diptych)
      BOND. 2002. DARLING. UNTITLED. (Right side of diptych)
    • + 19 media(s)

    Landscapes make me breathe, before, during, after, and beyond the time it takes to paint them. It’s very physical. When the canvas is stuck to the wall and I try to impose it my colors, there is some sort of negotiation, sometimes painful, sometimes serene. Then, the landscape appears before me, I don’t know if it is from me, but certainly, it was within me.